Digital
Copyright FAQ
The
following Frequently Asked Questions (FAQ) were developed to answer
some common questions about copyright in digital and Internet
media. Legal expertise for the answers to these questions was
provided by Dr Anne Fitzgerald, co-editor of Going
Digital: Legal issues for e-commerce, multimedia and the Internet
(2000), and author of Intellectual
Property (2002).
QANTM
gratefully acknowledges the funding support for the development
of this FAQ provided by the Department of Education, Science and
Training, and Arts Queensland.
If I scan a photograph or graphic into Photoshop
(or equivalent), who owns the copyright in the scanned image?
Can I put a scanned image on a web site that I create?
What if I manipulate the digital image so that
it is unrecognisable? Does that overcome any problems with the
copyright law?
What if I want to use text, code or graphics,photos
or logos from someone else's web site?
I have heard that I can use up to 10 per cent
of any copyright work without needing permission. is this true?
What are the basic principles of Australian copyright
law? Do they still apply on the internet?
Under copyright law, who wons or holds copyright?
Does it make any difference if the creator is getting paid to
produce the work? How can ownership be transferred?
Does copyright apply to email?
How does copyright law affect music downloads?
Why bother to comply with copyright law? Aren't
the chances of getting caught very small?
How do I go about getting permission to use copyright
works?
Where can I get more information about copyright?
IF
I SCAN A PHOTOGRAPH OR GRAPHIC INTO PHOTOSHOP (OR EQUIVALENT),
WHO OWNS THE COPYRIGHT IN THE SCANNED IMAGE?
Copyright in the scanned image will be owned by whoever owns copyright
in the photo or graphic that has been scanned. This may be the
photographer who took the photo or the artist who created the
graphic but it could be some other person or organisation.
You do not obtain copyright in the scanned image just by scanning
from the original photo or graphic. When you scan a photo or image
you are making a digital copy of the original. To obtain copyright
you need to use more skill and effort than is involved in simply
making an exact copy of an existing image even if you are transforming
a hard copy into a digital one.
In
fact, by doing the scanning you could be infringing the copyright
owner's rights. A key right of copyright holders is the right
to make copies and to stop others copying without permission.
This means that you will need the owner's permission to copy photos
and graphics that are protected by copyright. Permission to use
copyright material (that is, a licence) can be given verbally
and does not need to be in writing unless it is an exclusive licence
in which case it also needs to be in writing and signed.
CAN
I PUT A SCANNED IMAGE ON A WEB SITE THAT I CREATE?
Before putting the scanned image on your web site you need to
ask: does someone else own copyright in the image?
Remember, (from the answer to the previous question) you don't
get copyright just by scanning the image, so you need to work
out who, if anyone, is the owner of copyright.
All
kinds of original visual works are protected by copyright, including
drawings, paintings, photographs, prints, films, videos and multimedia
games. The rights of the copyright owner include the right to:
-
make copies of the original work
-
release copies to the public
-
make the work available on a web site where it can be viewed
or downloaded; and
-
transmit it in electronic form (for example by email or audio/video
streaming).
When
we say that the copyright owner has certain rights, we mean that
he or she can prevent others from doing certain things like making
copies, putting the work on a website or emailing it to somebody.
Since
you do not own copyright in the scanned image, you will have to
get the copyright owner's permission (also known as a licence)before
you copy it, put it on your website or transmit it in electronic
form.
If
the photo or graphic you are scanning is very old, copyright may
have expired and you may be able to use it freely because it is
now "in the public domain." Copyright in photographs and films
expires 50 years after they were first published. Copyright in
paintings, drawings and prints lasts for 50 years after the death
of the artist. If you are sure that the work is in the public
domain, you can scan it and put it on your web site without requiring
authorisation.
WHAT
IF I MANIPULATE THE DIGITAL IMAGE SO THAT IT IS UNRECOGNISABLE?
DOES THAT OVERCOME ANY PROBLEMS WITH COPYRIGHT LAW?
If you manipulate the digital image so that you create an entirely
new one you will own copyright in the image which you have produced.
The image will be protected by copyright as an artistic work and
you will have all the usual rights that apply to that kind of
work. Now, you can control your work by making others ask for
your permission if they want to copy it or use it, eg. on their
web site.
This
is a good example of how to avoid problems with copyright. If
you create your own original work you don't have to be concerned
about having to get somebody else's permission or clearance. In
fact, this is how copyright is meant to work. It encourages people
to be creative by giving the person who creates the new work the
rights to control its use.
If you are producing a new image from an existing one you need
to be careful that the new work does not look like it was copied
from the original. If someone held the two images up side by side,
it should not be obvious that the original was used to create
the new one. Even including a small part of the original image
in your new work could still infringe copyright if the original
is well known and the part copied is easily recognisable.
If
you want to base a new image on an existing one, you also need
to think about the interests of the creator of the original image.
Under the moral rights system, which will soon become part of
Australian copyright law, creators will be able to object to distortions,
alterations and uses of their works which could reasonably be
regarded as detracting from their professional standing.
WHAT
IF I WANT TO USE TEXT, CODE OR GRAPHICS, PHOTOS OR LOGOS FROM
SOMEONE ELSE'S WEB SITE?
Text, code, graphics, photos and logos are all protected by copyright.
This means that the copyright owner has the right to stop anyone
else copying them or putting them on a web site where they can
be accessed by the public.
So,
the usual rule applies: if you want to copy any of these from
another web site and use them on yours, you need to obtain permission.
The best thing to do is to contact the web site administrator,
tell him or her exactly what you want to use, why and for how
long and ask if they will authorise it.
Be
careful about copying logos. As well as being protected by copyright,
logos can be protected as trademarks and business names. For example,
the design of the logo might also have been registered as a trademark.
Any words included in or associated with the logo could be protected
as a registered business name, a registered trademark or a domain
name. If you copy these you could be liable for trademark infringement
or be in breach of the fair trading laws (or trade practices laws
if you are working for a company). You can search to see what
words and images are registered as trademarks at www.ipaustralia.gov.au
and you can search for registered business names at www.asic.gov.au.
A register of Australian domain names is at www.ina.com.au.
Even
if you are not copying text, graphics etc directly from another
web site, try to avoid copying the look and feel of another site.
If you produce a site which is so similar to the original one
that customers would be likely to wrongly believe that there is
some commercial association between the two sites, you could be
infringing the fair trading laws.
I
HAVE HEARD THAT I CAN USE UP TO 10 PER CENT OF ANY COPYRIGHT WORK
WITHOUT NEEDING PERMISSION. IS THIS TRUE?
The
10 per cent rule is one of the great urban myths of copyright
folklore. It is important to have a fairly good understanding
of how copyright law applies to your work. The borderline between
what you can copy and what you can't is often fuzzy. If you have
any doubts you should always ask. You could contact one of the
organizations listed at the back of this booklet or find a solicitor
who specialises in intellectual property law (the organisations
listed can recommend someone you can talk to).
Basically, what you can do for free(without getting permission
and without paying a royalty) are the following:
"Fair
dealing" (or "fair use") means that in some situations, it is
regarded as reasonable (or fair) to copy or use the whole or part
of a copyright work without having to obtain the owner's permission
and without being required to pay a royalty.
There
are also several situations where you can go ahead and copy a work
without getting permission beforehand, but you still need to pay
a royalty to the copyright owner. These include -
- Copying
by educational institutions for the benefit of the students
-
Copying by institutions assisting persons with a print or intellectual
disability
-
Making a cover version of a record.
WHAT
ARE THE BASIC PRINCIPLES OF AUSTRALIAN COPYRIGHT LAW? DO THEY
STILL APPLY ON THE INTERNET?
Copyright
law gives rights to the creators of certain kinds of original
creative works. The range of materials which are protected by
copyright is huge: it includes all kinds of visual works, musical
works, films and video, multimedia works and computer software.
To
obtain copyright protection, the work must not be a copy of an
earlier one and it must be stored or recorded in some way, eg.,
on paper, video tape, a CD ROM or a computer disk.
The
copyright owner has several rights. The most important ones are
the rights to copy, to transmit in electronic form and to put
material on a web site.
The
owner of copyright can stop others doing any of those things without
the owner's permission. For example, where someone is making unauthorised
(or pirate) copies of a work, the copyright owner can stop them
from making further copies.
There
is a basic rule in copyright law: ideas are not protected but
the way they are expressed is. For example, an idea for a computer
game is not protected by copyright if you have it in your head
or talk about it. For copyright to apply, you have to put it into
a medium, which could be drawings or illustrations, a written
description or software code.
There
is no need to register to obtain copyright protection in Australia.
It comes into existence as soon as the work is produced and recorded
in some medium. However, it is a good idea to let others know
that you have copyright by putting a copyright notice on the work
in the following form: © [your name] [year].
Yes,
copyright still applies on the internet. When the internet was
first developing there was a lot of uncertainty about exactly
how copyright applied to digital technology and whether it applied
at all on the internet. However, recent changes to copyright law
have made it clear that copyright owners can control the use of
their material on the internet. Under the digital copyright laws,
copyright owners have rights over:
UNDER
COPYRIGHT LAW, WHO OWNS OR HOLDS COPYRIGHT? DOES IT MAKE ANY DIFFERENCE
IF THE CREATOR IS GETTING PAID TO PRODUCE THE WORK? HOW CAN OWNERSHIP
BE TRANSFERRED?
The
basic rule of copyright ownership is that the person who produces
the work is the first owner of copyright. This means that where
material is produced by a contractor (not an employee), the contractor
will continue to own copyright, unless there is an agreement in
writing which transfers copyright to the person who is paying
for the work.
There
are some important exceptions to the basic rule which need to
be kept in mind:
-
If the material is produced by an employee as part of his or
her usual work role, then copyright is owned by the employer.
This rule can be changed if the employee and employer agree,
but otherwise the employer owns copyright. It does not apply
where the person is not an employee, but is a contractor. In
this case the contractor owns copyright in work they create.
-
There are special rules that apply if the employee works for a
newspaper or magazine. In this case, the copyright is split between
the publisher and the employee. The publisher owns the rights
in any written material, photographs, cartoons etc in order to
publish them in the newspaper or magazine, including an online
or internet version. However, the employee owns copyright for
all other purposes, which means that he or she is entitled to
publish a special collection of his or her photos, cartoons or
writings.
-
In the case of commissioned photographs, copyright usually belongs
to the photographer. However, where the photographs have been
commissioned for a private or domestic purpose (such as a family
portrait, children's photos or wedding photos), copyright belongs
to the person who commissioned the photos.
-
Where a video has been commissioned, copyright belongs to the
person who commissioned it, not the person who made the video.
-
Where material is produced for a government body, it will own
copyright.
-
Where two or more people have jointly produced a work so that
their contributions cannot be separated out, they are joint owners
of copyright. If the separate contributions can be identified,
each person will own copyright in the part he or she has produced.
For example, one person might own copyright in the text and another
person might own copyright in the graphics.
For
copyright to be transferred from the owner to another person,
there must be a statement in writing which makes that clear and
it must be signed by the original owner. Permission to use copyright
material (that is, a licence) can be given verbally and does not
need to be in writing unless it is an exclusive licence in which
case it also needs to be in writing and signed.
DOES
COPYRIGHT APPLY TO EMAIL?
Yes, copyright applies to email messages. The text part of the
message will be protected as a literary work and the author will
have the rights to prevent others from copying it, publishing
it, transmitting it in electronic form or putting it on an internet
site.
This
means that, in theory, you would need the permission of the author
of the message in order to be able to copy it or to forward it
by email to others. In practice though, it is regarded as such
a well established part of internet etiquette that it would be
implied that the author would agree to it being forwarded on to
other email users. This is so where a message is being forwarded
to a relatively small number of users for their information.
However, before posting another's email message to a list or putting
it onto an internet site, you should obtain the consent of its
author.
In
forwarding email messages to lists or putting them on an internet
site where others can access them, be careful to ensure that they
do not contain material which could defame another person or an
organisation. Defamation means posting information about someone/something
that may damage their reputation, even if you're confident it
is true.
HOW
DOES COPYRIGHT LAW AFFECT MUSIC DOWNLOADS?
Sound recordings are protected by copyright, which is usually
owned by the recording company, although in some cases it is owned
by the recording artist.
The
owner of copyright in a sound recording has the rights over:
-
Copying
-
Broadcasting to the public
-
Performance in public
-
Electronic transmission to the public
-
Putting it on a web site for access and downloading
If
you make an MP3 file from a CD this involves copying the sound
recording, which will infringe the recording company's copyright
if it is done without permission.
If
you put an MP3 file of a sound recording onto a web site without
the recording company's permission you will infringe their right
to make the record available for access on the internet.
If you electronically transmit an MP3 file of a sound recording
without permission, you will be infringing the recording company's
rights to control electronic transmission.
There
are many cases where recording artists and companies release their
music on the internet and give permission for users to copy it
and make MP3 files.
However,
although millions of people worldwide are making MP3 files of
sound recordings, and uploading and downloading them from web
sites, the practice is not legal unless it is authorised by the
copyright owner. The large recording companies are unlikely to
pursue individuals but have been taking action against people
who have set up large MP3 sites without permission and the ISPs
which host them. For example, the recording companies which own
copyright in thousands of CDs were able to stop MP3.com copying
the CDs into a huge database that CD owners could access to listen
to that album via an internet computer without having to insert
the original disk.
WHY
BOTHER TO COMPLY WITH COPYRIGHT LAW? AREN'T THE CHANCES OF GETTING
CAUGHT VERY SMALL?
In many cases, there is little chance of getting caught and the
nature of the use is so trivial that it is extremely unlikely
that the copyright owner will bother doing anything about it,
even if they do find out about the copying.
However, the nature of the internet means it is now much easier
to detect infringement. And the consequences of illegal copying
can be awesome.
Large
international companies which produce music recordings, films,
games and software employ agents around the world to find those
who are infringing their copyright and do not hesitate to take
them to court. There are numerous examples of cases where major
companies have demanded that individuals and small companies remove
infringing material from their sites or have taken legal action
to force them to do so.
Being on the receiving end of legal proceedings brought by a major
international company can be a very unpleasant and expensive exercise
which would be a major setback for any small or medium company,
let alone an individual. Some of the more serious copyright infringements
are also criminal offences which can be punishable by large fines
and imprisonment and leave you with a criminal record.
In
any commercial project - whether you are working as an employee
or a contractor - you need to be able to give a guarantee that
what you have produced does not infringe copyright and that you
have obtained all the necessary clearances and permission. Inclusion
of infringing material or not caring whether it infringes or not
can cause major problems for you and also your employer or the
company that has commissioned you to produce the work.
HOW
DO I GO ABOUT GETTING PERMISSION TO USE COPYRIGHT WORKS?
You have to find the copyright owner or the organisation which
manages copyright on behalf of the owner.
There
are several organisations called collecting societies which licence
the use of particular kinds of copyright material. They administer
copyright for the creators of the material in situations where
it would be virtually impossible for the creator to enforce copyright
him or herself. Collecting societies give licences for the use
of copyright material and collect licence fees or royalties which
they distribute back to the creator.
Who
to approach for permission depends on the type of material you
want to use:
-
For film and video: Contact Screenrights who can provide
information on film and video ownership and on getting clearances.
Screenrights
Level 3
156 Military Road
NEUTRAL BAY NSW 2089
Tel: (02) 9904 0133
Fax: (02) 9904 0498
e-mail: info@screen.org
Web: www.screen.org
-
For visual works: To obtain permission to use paintings, photographs
etc, contact Vi$copy who look after the interests of Australian
artists. Museums and art galleries can also assist in locating
artists.
VI$COPY
Level 172-80 Cooper Street
SURRY HILLS NSW 2010
Tel: (02) 9280 2844
Fax: (02) 9280 2855
e-mail: viscopy2@zipworld.com.au
Web: www.viscopy.com
-
For music: To use a particular piece of music you need permission
from the music publisher or the recording company. Assistance
in locating music publishers and record companies can be provided
by AMCOS (Australian Mechanical Copyright Owners Society),
APRA (Australasian Performing Right Association) and ARIA
(Australian Recording Industry Association). APRA can also assist
in arranging licences. PPCA (the Phonographic Performance Company
of Australia Ltd ) represents the major producers of sound recordings.
It licences the broadcast and public performance of protected
sound recordings and the public exhibition of music video clips.
Australasian Performing Right Association
6-12 Atchison Street
Locked Bag 3665
ST LEONARDS NSW 2065
Tel: (02) 9935 7900
Fax: (02) 9935 7999
Web: www.apra.com.au
Australasian Mechanical Copyright Owners Society Ltd
6-12 Atchison Street
Locked Bag 3456
ST LEONARDS NSW 2065
Tel: (02) 9935 7700
Fax: (02) 9935 7709
e-mail: info@amcos.com.au
Web: www.amcos.com.au
ARIA
PO Box Q20
QVB Post Office NSW 1230
Tel: (02) 9267 7996
Fax: (02) 9267 7962
e-mail: aria@aria.com.au
Web: www.aria.com.au
Phonographic Performance Company of Australia Ltd
9th Floor
263 Clarence Street
SYDNEY NSW 2000
Tel: (02) 9267 7877
Fax: (02) 9264 5589
e-mail: ppca@ppca.com.au
Web: www.ppca.com.au
-
For print material: It is best to first approach the publisher
because it generally owns copyright in printed publications.
The Australian Publishers' Association web site provides
a list of members (www.publishers.asn.au).
The Australian Society of Authors can help in finding
authors (www.asauthors.org).
Copyright Agency Limited (CAL) is a collecting society representing
authors and publishers and deals with requests for licences
to reproduce published literary works.
Copyright Agency Limited
Level 19
157 Liverpool Street
SYDNEY NSW 2000
Tel: (02) 9394 7600
Fax: (02) 9394 7601
e-mail: info@copyright.com.au
Web: www.copyright.com.au
-
For Indigenous cultural material: Aboriginal culture recognises
tribal rights in creative works, in addition to copyright. So
even if the material you want to copy is old and no longer protected
by copyright, you need to ask permission from tribal elders to
use the material.
Remember,
when you are requesting permission to use copyright material,
be specific about what you want to use and describe in precise
detail the part that you want to include. Also explain what you
are using it for (eg education, advertising, multimedia game),
where you will be distributing your product and the number of
copies you propose to make. If a commercial product, state the
estimated selling price of your product and its title. You should
indicate how you will be using the material and give the contact
details of your publisher.
WHERE
CAN I GET MORE INFORMATION ABOUT COPYRIGHT?
Organisations
The collecting societies listed above can provide information
about copyright licensing in their particular area of specialisation.
The following organisations can provide more detailed information
about a range of copyright issues:
Arts Law Centre of Queensland
Level 2 Metro Arts
109 Edward Street
Brisbane QLD 4000
Ph: 07 3211 3628
Fax: 07 3211 2628
Arts
Law Centre of Australia
Arts Law Centre of Australia
The Gunnery, 43-51 Cowper Wharf Road
Woolloomooloo NSW 2011
Tel: (02) 9356 2566
Fax: (02) 9358 6475
Toll Free: 1800 221 457
e-mail: info@artslaw.com.au
Web: www.artslaw.com.au
Australian
Copyright Council
245 Chalmers Street
Redfern
NSW 2016
Tel: +61 2 9318 1788
Fax: +61 2 9698 3536
e-mail: info@copyright.org.au
Web: www.copyright.org.au
Books
Going Digital 2000: Legal issues for e-commerce, multimedia
and the internet, by Anne Fitzgerald, Brian Fitzgerald, Cristina
Cifuentes and Peter Cook (eds). Published by Prospect Media, in
association with QANTM Australia CMC, 2000.
ISBN 1 86316 150 3
Intellectual Property Law, by Anne Fitzgerald.
Published by LBC Information Services, 1999.
ISBN 0 455 21661 4
To order, call 1 800 650 522
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